"WELCOME WELLIES" - My Salute to a much loved family home and downsizing.

"WELCOME WELLIES",  20 X 16, Colored Pencil on Ampersand Pastelboard

Setting up what was to be the last Still Life at our big family home, was more than just your typical set up. It was to be a fond farewell to the home where we enjoyed raising our boys and welcomed grandchildren. This painting was one I thought about composing for a very long time. Putting together a garden vignette scene which would tell a personal story, of joy in past days, family and a bright future.  

It showcases many generations welcomed in our home; my mother's circa 1940's red umbrella, my Welly boots, and my grandchildren's alligator Welly boots (all 3 of them wore these fun little boots), with our colonial welcome yard ornament at our Provencal blue door. The pair of blue garden gloves was added to soften the boot edge and to bring a repeat of blue to the composition. The bouquet of flowers I placed in a vase and into the tall back boot were to enhance our two story entry for the Open House we had when selling this home.  The flowers are a symbol of how the gardens there were such a part of our lives. 

When completing this painting I wanted to preserve the glow of sunlight through part of the red umbrella and where the light steamed under it. Textures of the aggregate and brick porch floor wasn't fun but not hard to create but time-consuming. Although the reflections on the shiny stripped boots were fun and are always the best part to accomplish. Love doing reflections!

Just looking at this painting makes me remember all the wonderful times we had at this home. From Spring Easter Egg hunts to splashing in mud puddles! ;)) So much fun, graduation to prom photos, garden swings, badminton games, and paddle pools. Downsizing from such a home toward a smaller one where life can be easier, simpler and which allows for more art, family and good times is our future.

Transferred Line drawing

Watercolor CP under painting stage. 

While the above photos just show the beginnings of the painting, line drawing transfer then watercolor pencil underpainting of the door, umbrella and background tones. Much planning was done before the line drawing like the many set up versions to the many many photos. moving the ornament from right side to left for composition reasons after the photos were taken. However I neglected in my moving brain fog to photograph all the dry color pencil application stages.

The painting from set up to competition took 11 months, not because it was so large or difficult but because life got in the way. The process of downsizing isn't for the faint of heart and certainly not for sissies. Going from a home we as a family of 5 grew into and down to a home for two empty nesters took perseverance and cut throat eliminating. donating and giving.  

Always hoping for more time to paint, healthy partners, and not having to move twice from home to apartment/storage while building to finally moving again into our new open plan one story home. I love this new home and it was so "just in time" before my dear hubby's total knee replacement.

More on the new place yet to come, and a studio tour is a possibility so stay tuned. Sorry to have been gone so long from my blog and you readers. So comment if you can: Have you downsized recently? Has life gotten in your way of creating? How did you get back on track?

Back in the studio and out sketch journaling, at a safe social distance of course ;))

Gloria

CPSA Entry for 2017 Convention finally done!

"Happy Tequila" 12 X 16" Colored Pencil on Ampersand Board

Entry into the CPSA (Colored Pencil Society of America) International Exhibition is always a stressful choice.  I often find myself thinking of a brand new piece that is ripe for competition as an image.  WE all hope that competition pieces are also salable pieces but the true fact is that most images that are great selling subjects just don't have the "It" factor for most large shows.  One judge selecting your work out of 870-900 entries from around the world, is quite a gamble.  Some artists would think the odds out weigh the gain.  And there is the cost also, entry fees, packaging costs, shipping fees, cartage fees and return fees should it not sell at the exhibition.   But I know no other way to build your artistic portfolio without entering the gamble.

Sure there are many folks that say you why go thru this expense, nerve racking process just to have One Judge determine your fate?  I know artists who have entered their work up to three times (a piece can only be eligible for entry for 3 years from completion).  Some may have been turned down 2 of those 3 times.  But get in on the third try!  Yay!!! Hands Clapping!!!!! ;))  After all it's one person's opinion each year.

Seashell Treasures 1 - 6 X 12" Colored Pencil on Ampersand Board

The thrill of being accepted is like no other and I have had that thrill 3 times, thus getting my CPSA Signature status in 2013.  (You have to get into the International show 3 times in 10 years)  I did it in 5 years.  After that when you get in you can earn 5 year Merit status, 10 year and up.  The works have to be on a surface without preparation, 100% Colored Pencil and of the artist's own  photo reference!

The Seashell Treasure 1, above is my second entry, as you can enter up to two works.  Opinions vary but it has been said that works in similar subject matter, stye and feel help your work get noticed.  I created two Seashell Treasures for our local Bon Air Artists Assoc. fundraiser show (Artful Healing) last weekend, see 2nd one below.  "Artful Healing" sponsored by Bon Air Artists Assoc. benefits the World Pediatric Project's efforts to bring medical care to countries in Central America.  And in reality it is my second and third piece in the collection.  The first one SOLD to a collector a few years ago. 

Seashell Treasures 2, 6 X 12" Colored Pencil on Ampersand Board

Now that the my entry is complete and the show is over,  (I was treasurer for the BAAA project), I have a few days to get ready for my April classes.  But the best part is that the weather is getting to be more like Spring and I'm ready for some "Plein Air" painting!  What's on your easel?

 

All Stacked Up - Colored Pencil On Ampersand Pastelboard 16 X 12

 

"All Stacked Up" 16 X 12 - Colored Pencil On Ampersand Pastelbord is finally complete.  The Teapot shown here is one we inherited from my sweet husband's Grandma Treida and the various teacups came from my mother, and mother in law.  The blue glass creamer is from my Nana.  And no proper tea party would be complete without sugar cubes (or so my Granddaughters think).   

This CP Painting will be waiting for delivery to my Nov. /Dec. One Woman Show at Uptown Gallery, Richmond, VA in late Oct.   I'm still tossing around titles for my show so if anyone has ideas let me know.  I'm hoping to convey all the possible surfaces and subjects that Colored Pencil Paintings can be presented in.   

This summer has been a time of change, new beginnings and creations both here at home, in the studio and in my life.  And after a bout with Lyme's disease I'm finally feeling like I can make some real decisions in my life and art.  The best thing is we are expecting a new grandchild via my youngest son David and his lovely wife Angela in Jan.  2016.  I love babies and miss that sweet baby smell.  

I have been working on the details of my Colored Pencil Workshop for the Old Dominion Decorative Painters Assoc. here in Richmond for Sept.,  as well as taking a workshop in Oils which I will post about next.   Don't get me wrong I'm not abandoning colored pencil, just adding a little something new to shake things up.  As much as I love the pencil point and detail I'm missing the ability to spread paint about with a brush.  So not to worry I will still be working like crazy in CP since I have my show coming up in Nov.  

My studio mate, Bacio wants to say Hi ;)) and he's given his approval on the completion of the above piece.  Which usually means he looks at me and then the piece I'm showing him and then proceeds to jump into my lap.  Saying, "OK your done now, pet me!"  I admit it's a little self serving on his part, but sometimes I need someone else to say "Back away and quit fiddling, it's done."  
                                                                                                        Oh, he wants you to know he's just celebrated his First Birthday!

"Just Add Water" Colored Pencil on Ampersand Pastelbord

"Just Add Water"  12" X 16" Colored Pencil on Ampersand Pastelbord

I finished this piece in April just in time for the fine art fundraiser I Co-chaired again this year, "Artful Healing" which benefited World Pediatric Project, at the Jepson Alumni Center at the University of Richmond.  

The reference was taken on my 2012 trip to Provence and the lovely hill top village of Bonnieux, France.  On one of the side streets was a cute little shop with art and other crafts and outside on their terrace was this lovely little gathering of watering cans.  Perfectly arranged, although I did move the bluest one on the right over a little. The snail shells are to remind of the snail paintings seen in that gallery as well as the great escargot on the menu in town!  I can taste the garlic butter.......Mmmmmm.

My local art association - Bon Air Artists, has put on fundraising art sales for over 23 years, which have always benefited a local charity.  I have co-chaired 5 of them in the last 6 years.  A very time consuming activity which unfortunately takes much time away from painting in CP.  This was my last year to co-chair the event, as I have made a commitment to producing many new finished works for my upcoming One Woman show at Uptown Gallery here in Richmond, Nov. & Dec.  Stay tuned.....

Much more fun news to come, as I hold a secret adventure in the works.  Keep drawing and enjoy this wonderful Spring!  

  

A Red Shoe Evening - 11" X 14" Colored Pencil On Ampersand Pastelboard

                                                      A Red Shoe Evening 11" X 14"

With all the Plein Air painting I've been doing this summer and teaching it took a little while to finish this Still Life.  It will be making it's debut at Crossroads Art Center and Gallery at this weeks opening reception, Sept. 19th, 2014 6-9 PM.  But since I have been doing several landscapes I kind of see the landscape of this work too.  I may have to get this photographed again as it looks a little more bright than the original piece.   But at least you get to see it.

The story behind this reference starts with my daughter in law and her new red shoes.  You see the kids came home for a costume party a year or so ago, one that fit the TV show Mad Men's theme.  Her new red shoes looked killer on her with a strand of pearls at her neck, red cardigan, white blouse, and dark skirt.  A true 1960 look for her and my son in his skinny tie and suit.   Off they went to have fun, however the next morning I saw those pretty red shoes kicked off on the floor of my kitchen with their reflection in the floor.

Well by now if you have been reading my blog you know this gal cannot pass up a good reflection to save her life.  Ideas were "a poppin" in my head.  When my daughter in law came downstairs I asked if I could borrow her shoes for a photo shoot.  Her comment tickled me,  "Those shoes killed my feet all night, I won't be wearing those anytime soon.  Of course you can have them."  I was so pleased since that meant I needn't hurry to photograph them before they left.

A week later I set up the still life with my old pearls and a few perfume bottles on a shinier surface and snapped away.  This would be so cute in a woman's bedroom or dressing area!  A reminder that we ladies will do anything for fashion at least once, and a killer pair of shoes has a double meaning!

Does it make you remember such an evening?  I think maybe several in my case since as a young girl I had a hard time resisting a "cute" pair of shoes or how they can make an outfit!

Gloria Callahan

At The Root Series

 At The Root - Orange Beets  9 X 12 Colored Pencil On Ampersand Pastelboard SOLD

My "At The Root Series" is officially that with the addition of the second piece, see my blog entry from my last piece created in 2013. (At The Root - Radishes) here  The background colors of this new addition are more true in this image than in the radish piece photo in the above noted link/blog entry.  So imagine the radish piece with more yellow in the background.  I must get the radishes rephotographed so they represent the series as more cohesive in color, which of course they are.

Which brings me to sharing my thoughts on a series.  I find it difficult to work on more than 2 in a series without interjecting a new subject matter (or non series painting).  Why you ask???? My old job was as a production painter for a local Richmond print company that sells hand colored - watercolor prints.  I did this for 8 years.  And is the reason why I do not paint for myself in watercolor any longer, or for that matter work in large series.  Burn out yes, but also working in a series stifles me a little.  So I need to take breaks and do another subjects in between.      

I like to think about how a series might hang when I work on them.  This piece faces to the left and the radish one faces to the right.  Keeping the direction you want the viewers eye to go in makes both pieces hang well together.  Of course they also should hang well when hung separately too, which I believe these do.  Color integration and cohesiveness is also something to keep in mind so they play well with their series siblings.  Even though they are of different colored veggies they have the same greens in common, the same background and surfaces are similar.  All things to keep in mind when working in series besides the obvious subject matter.  Framing in like frames also is a must, I believe. 

Timing for blog entries has been very short lately, due to the rather large Art Exhibit/Fundraiser for World Pediatrics Project I am helping to co-host.  Getting much else done by the way of art completion has taken a back burner these last few months.  But rest assured we are in the 2 week stretch before the event so the end is in sight, and before you know it I'll be back to the blog with more entries.  I thank all of my readers for your patience and returning to my blog to check in.  

Oh, and yes there will be more At The Root paintings, imagination has me thinking of all sorts of new subject, so stay tuned.

Waiting on a colorful spring to arrive and roots to grow flowers,

Gloria 

Last CP Painting for 2013 - At The Root - Radishes

                      At The Root - Radishes  9 X 12" Colored Pencil On Ampersand Pastelboard SOLD

This was my last piece finished in 2013, actually on the 30th at midnight, one day to spare.  I couldn't get to photographing it until today with all the craziness that is my life.   This will be a new series "At The Root"  with my next one's reference shot set up and ready to go.  The photo here is typical of many photo's of art where red is in play.  Reds are notorious for not photographing true to the actual piece.   They seem to photograph brighter/not the deep shade it is, even with Photoshop touch ups.  Either the greens are off, or the background is off, when trying for a match of the reds.  Sense some frustration here............ Well just trust that as usual the in real life piece is richer in all ways.

Anyway, since my last post on making a goal list, my own has grown by leaps and bounds, which is usually the case.  I've been trying to juggle a fundraising event that my local artist association (Bon Air Artists) is putting on to benefit the World Pediatric Project.  As president of the association and one of the chairs of the event, I am neglecting my art creation.  (And have been for some time.)  My total count of CP pieces (we all know it's a slow medium) for 2013 was only 12 finished, with a small 13th  workshop piece almost done.  I hate to have unfinished works lying around even if they are workshop pieces.  But it's small and I should be able to finish it while on the road.

We won't talk about how you learn to say no to volunteering too much, since I clearly haven't learned that lesson yet!  But one of my goals every year is to complete a set number of paintings no matter the size.  This year I missed my mark by 3.5 pieces.  I'm progressing to my 100'th worthy of posting on my website pieces, and should hit that mark this year in 2014, sooner rather than later.  We all know that every piece is not worthy of posting on websites or Facebook for that matter.  Discretion is learned.

Hoping your January is warming up at least in a colorful way is not in temperatures...... On to the next one in the series.

Gloria

Sanded Surfaces Workshop

                                                           Reflections Of Sea Life SOLD
                                                                      8.5 X 12
                                                   Colored Pencil on Uart Sanded Paper

My summer workshop for sanded surfaces ended on Saturday and a good time was had by all.  I love when students are so eager to learn and do so well on the new surface.  The class worked on the above seashell piece to gain experience on the Uart paper as their first sanded surface.  Uart is a pastel paper that comes in many grits from 400-800 and we worked on the 800 grit for this piece.  They learned how layering is different from normal CP papers and how to blend on this surface.  I start them out on Uart as it is a tough surface and takes CP very well with layers and layers to be added to make the rich colors and textures of these shells.  I hope to add a photo demo to my website soon on this piece.

They then made the change to Ampersand Pastelboard, a hard board primed with marble dust in the primer.  Using their own references for the 5 X 7 piece of white board.  Ampersand acts similar to other sanded surfaces but the hard board gives a different feel.  It enables one, upon completion to spray with fixative and then to preserve with several layers of sprayed Archival varnish to be framed without matting or glazing.  Just like an oil or acrylic painting!  This is my favorite surface to work on.

It was a lot to cover in 3 full days but they were troopers and I enjoyed having them in my home studio.

I hope you try a sanded surface and let me know what you think.  I'll be getting ready for the CPSA convention next week in Brea, CA, where my Harley piece was accepted.  While in CA there are workshops to be enjoyed, new techniques learned and a whole lot of great art and friends to catch up with.  While the hubby and my trusty canine hold down the fort here at home.

I just posted on my website the new classes for Fall so have a look and maybe you too can learn this wonderful medium.  Rest assured I'll be checking email if you want info or have a comment.

Stay cool and enjoy some color this week.

Gloria

2013 First New Piece

                  Backlit Teapot and Grapes 12 X 16 Colored Pencil on Ampersand Pastelboard SOLD

Another new piece finished and ready to be framed, but it seems to have me stumped as to which or how to frame it.  My normal go to frame (wide black with a strip of antique gold) just doesn't say wow!  So I'm looking at my options so the piece looks great and it still goes with my collection.  This seems to be an on going issue every several months.  My series of Backlit usually go with the above mentioned black framing but the warmth of this one just doesn't sing when given that option.  I usually am struck by the framing dilemma when my "go to" frame is no longer available, which usually happens when I have just settled on a great new one, reframing or framing a number of a new series that way.

Keeping your collection uniform looks great in your booth at the Art Center Gallery or your tent when showing outdoors, but sometimes it's just not the right frame for the piece.  I don't like to pigeon whole my design or color choices by the "norm" framing options, it stifles my evolving creative juices so to speak.   So if I settle on one this one may make it to Crossroads for tonight's opening, but don't count on it.

Pardon my being absent for a few weeks after a sprained ankle and shoulder problems seem to have gotten in the way with my art.  Attending PT for the should has me thankful that it's my left and not my right.  Realizing my art is so important to me that I'd be lost without it.  I hope your New Year has you thankful about something great in your life and your day is as colorful as my snow covered but sunny day here.

Gloria

Powhatan Inspirations - Osage Oranges Still Life

                                    Osage Oranges Still Life 14 X 11 Colored Pencil on Board SOLD

I created this still life for a local Show of Fine Arts of Powhatan, my local art group.  It was to be exhibited at the local library but alas was not finished until after the show hung.  Fall has a way of getting too busy and life has it's normal way of getting complicated so "things" can't get done.  So I'm now just posting this entry as the work has hung at Crossroads Art Center since it's Nov.  reception.

The reference for the work was taken at Belmead Plantation which used to be Blessed Sacrement Cathlolic School and before that a school for Black youths dating way way back before there were any decent schools for them to attend.  The old Gothic building is in a state of disrepair that the community is trying to save.  Still owned by the Catholic sisters who ran the school, Belmead deserves to be preserved.

The still life was from a tour the Powhatan Historical Society gave and was graciously adorned with flower arrangements from the garden club.  Not sure if this is a shoe shine box or a tool box, it was set out on the front tiled entry portico.  The wall behind shows the peeling paint of the white washed exterior wall that is grey blue with age.  But just as the lumpy osage orange fruit here it has a beauty of it's own.  The pink sedum buds, green hydrangea blossoms and mum daisies dress up the wooden box.

My latest more contemporary still lives were sleek and backlit, but this piece had a time worn softness and beauty I wanted to capture.  Much like the Powhatan County I know and love.  

Colored Pencil Class schedules are ready for sign ups, starting thursdays Jan. 17th - Feb. 21st 2013.  Mornings are beginners classes 9:30 - 12:30 and afternoons are for continuing students 1:00- 4:00.

  

Backlit Cuties Added To Backlit Series

                             Backlit Cuties 6 X 12 Colored Pencil On Ampersand Pastelboard

Just before my final outdoor show this year and the one I co-chair for Bon Air Artists Association, I completed this addition to my series.  The 20th Anniversary of Art Affair Fine Art and Fine Craft Show is a labor of commitment for my local art group in Richmond.  I have chaired this show for 3 years and it truly is a show that not only benefits our local artist community but we give 2 VCU Art Dept. scholarships as a result and Art 180, a Nonprofit organization that provides art-related programs to young people living in challenging circumstances, encouraging personal and community change.  Located on Mary Munford Elementary School grounds on Westmoreland St. and Cary St.,  Sat. 10-5 and Sun. 11-5. 

Sorry for the brief advertisement, but this show is a nearly year round job, and has taken up much of my production time.  Although the show is a great event and we as the BAAA are the only Richmond based art group that produces such a show.  We provide an opportunity for local high school honors students a competitive exhibit opportunity where they can show with many local professional artists as well as those from out of state.

Continuing the series of backlit fruit in this format has been great fun for me and I have at least a few more up my sleeve.  Capturing the juicy water droplets on the surface of the orange skins and tray surface added to the fun.  And with the last outdoor show for this year coming up this weekend, I hope to get more work produced.  My students have enjoyed the series and as they are just now learning my techniques on sanded board I hope to pursue more kitchen art. 

I hope you like it and if your in my area you'll drop by Art Affair this weekend.  Have a colorful day!

Gloria

Continuing the Backlit Series

                                                               Backlit Kiwi  6 X 12

Colored Pencil on Ampersand Pastelboard again, this is the same size as my Backlit Citrus piece and will be framed the same. (A black 2.5" frame with gold band on the inside)    The series will have one more this size in it, stay tuned for # 4 and one more in the 6 X 18 size #5.  The series will make their debut just in time for the fall art show season.   Although I have just finished 2 other works not in the series, and will post them soon, the sequels may get put on the back burner until I can get a few of my France trip pieces done in time for the group show.

So I'm off to finish spraying this with UV Varnish and then to frame.   
Enjoy your colorful day!

Backlit Berries 6 X 18 Colored Pencil on Ampersand Pastelboard

OK everyone you get 2 entries on the blog today due to my lack of getting anything posted in a while.

Second in my Backlit series to be completed, although this one took me a while since I've had 2 classes running for the last 6 weeks.  Amidst many family obligations this was a fun one to work on.  I again like the size of this piece as it looks great on a small easel on my kitchen counter while I wait for the frame to be delivered.  A more stretched out version of this one at 6 X 18 versus the 6 X 12 of the citrus piece a few months ago was also intriguing.  The glow of the light through these strawberries and the juice droplets on the surface plane convey everything I love about strawberries.

I hope you like them!  Have a colorful day!

Gloria

First Date - A Christmas gift commission 12 X 12 Colored Pencil on Cradled Hardboard

This is a commission piece I did for a customer reflecting on his first date with the woman he was about to ask to marry.  He wanted something similar to my recent "Wine By Candelight" piece he had seen at my Cooper Winery Show, but using the wine they had, flower on the table and their hands.  He sent me several photos of all the separate elements for me to place into a still life.   I waited to post it until now so the big event would have happened and she had her surprise gift and I'm sure said "Yes."

I primed a cradled hardboard panel on the top and varnished the natural wood sides so it could hang without framing.  This gave the piece a more contemporary look, and enabled me to leave it unframed.  Priming was with Colorfix pastel primer in a skyblue color, this primer has marble dust in it so the resulting finish is that of a sanded surface.  I chose the light blue since that was the color of the booth from the restaurant in his pictures and I had this also in stock. 

I worked up a lay out of the entire piece as a sketch and emailed it off for approval.  In order to get the glass ware reflections and shapes I set up my own still life with a similar white wine, glasses and a red flower (but not the same kind as he wanted used).  I did this so I could see the reflections of A flower in the glasses, and tablecloth and also to have a live set up to work from.  So I used about 5 of his photos and my own set up to come up with the sketch and resulting work.  After completing the piece all in colored pencil I sprayed it with a UV Archival Varnish in 8 layers so it can hang without glass.

The fun in this project for me was creating a piece that would later be the documentation of their first date, and something they will look back on as their marriage grows.  I was honored to have made for such a wonderful young man in love. 

Nectarines And Wine

                                          Colored Pencil on Ampersand Pastelboard  16 X 20

In Getting ready for my showing at several of the Wineries and Wine Festivals this year here is the second Still Life finished last week just before Powhatan's Festival Of The Grape, our local wine festival.  Turn out yesterday was somewhere near 7500 - 8000 wine lovers, and great weather.  Not bad for such a small rural county in VA.   My most local and newest art association Fine Arts Of Powhatan had our 2nd show at the festival.  I donated my tent and screens for the event so Powhatan could see the fine artists in their midst.   I myself had my 3 recent wine themed paintings there, this one included.  It's a good thing it didn't sell because I hadn't had it photographed yet.

It of course is on pastelboard and finished with UV Archival Varnish to protect it like all my other pieces on this board.  I did get the usual comments of "That can't be colored pencil!"  This still life was set up in my kitchen on my granite countertop with a few nectarines I had around with one of my favorite blue wine glasses.  A pale blue draped fabric covered the background board which I thought was a nice complimentary color to the yellow of the napkin and the Fess Parker Chardonnay (which I love).

Now on to my last of the series, for a while, which has to be done before my next winery show.  I'll leave you all in suspense, but realize that since I've started my "part time day job" to pay for this Art Habit I have it may not be a short wait.  Now back to coloring.

Gloria

Wine By Candelight - New Painting For New Kent Winery Exhibit

                                           Wine By Candlelight   12 X 12    Colored Pencil

Today I'm posting a newly finished colored pencil piece painted onto a gallery wrapped hardboard support by Ampersand that I primed with Colorfix sanded surface primer.  The photo reference is from a set up I did in my kitchen.  This wine themed piece is the first in a new Wine series I'm doing for several fall art shows coming up.  Some of the exhibits are at wineries and or wine festivals.  The first is this weekend (Sept. 18th) for the Central VA Classic Car Show at New Kent Winery, in New Kent, VA.  My husbands antique 53' MGTD isn't yet ready for the show but this piece is.

The surface of this board was primed with gesso by the factory, and to be used for acrylic or oil, but I lightly sand the top and sides then primed it again with the Colorfix Fine Tooth primer in the color Soft Umber.  This primer seems to be a little rougher than the bluish grey I have of the same type.  I did not render the sides of the gallery wrap hardboard style, the gesso color I used as the background of the table surface shows thru (so it coordinates).  Followed by my usual coats of fixative and then 6-8 coats UV varnish to finish the piece.   So all I have to do is attach the hanging wires and it's all set to go to the show.  Now to finish 2 other framing jobs before the show.

I've just come back from a Plein Air painting weekend at The Peaks Of Otter Lodge, here in VA so I hope to scan and post some of my pastel studies I completed from that event soon.  Then use a few of these studies to create some studio works for a show in Roanoke next year.  So much to do, so little time.  So everyone get creating!

Tabletop Marbles Finished

As I promised, here is my latest colored pencil work finally scanned and ready to frame.  It's an odd size and I won't go into the reasons why but needless to say it started out to be a demo piece I worked on during a Christmas event at Crossroads Art Gallery where I show my work.  After liking how the first few marbles turned out I kind of kept going until I had it all down on the HP watercolor paper I started on.  And since I haven't used that in a long time (preferring to work on Stonehenge paper or a sanded surface), I surprised myself that I didn't mind this paper again.   Oh, it's 8 x 13 - see a weird size but I think it will frame nicely in the 12 x 18 black frame I have for it.  That is after I cut the mat.

I guess my biggest accomplishment this weekend was to get this all scanned, stitched, color corrected and ready for the website all alone.  You see I'm trying to take on the image management and eventually the website management from my son, Chris, who has done so much for me in the past.  But his new job takes up so much of his time, I need to be able to get things kept up to date sooner.  And besides I need to be the big girl I am and make myself learn all the image/computer stuff.   (I cringe at having said this out loud, having put this off onto my son for far too long.)   

The weekend seemed to rush by me without getting any pencil onto paper except to make a new list of what I need to get done before we go to Florida.  However I did get some accounting work done for my job as treasurer at BAAA, my local art association.  

Next to do list item is to find some images to take on my trip, for pieces small enough to pack and work on while I'm away.  If I have enough room (we are flying) in my bags I'll try to take my pastel pencils.  Making an attempt to try them out as a plein aire media instead of my cp's.  But packing light isn't my strong suit.  Wish me luck.