"Just Add Water" Colored Pencil on Ampersand Pastelbord

"Just Add Water"  12" X 16" Colored Pencil on Ampersand Pastelbord

I finished this piece in April just in time for the fine art fundraiser I Co-chaired again this year, "Artful Healing" which benefited World Pediatric Project, at the Jepson Alumni Center at the University of Richmond.  

The reference was taken on my 2012 trip to Provence and the lovely hill top village of Bonnieux, France.  On one of the side streets was a cute little shop with art and other crafts and outside on their terrace was this lovely little gathering of watering cans.  Perfectly arranged, although I did move the bluest one on the right over a little. The snail shells are to remind of the snail paintings seen in that gallery as well as the great escargot on the menu in town!  I can taste the garlic butter.......Mmmmmm.

My local art association - Bon Air Artists, has put on fundraising art sales for over 23 years, which have always benefited a local charity.  I have co-chaired 5 of them in the last 6 years.  A very time consuming activity which unfortunately takes much time away from painting in CP.  This was my last year to co-chair the event, as I have made a commitment to producing many new finished works for my upcoming One Woman show at Uptown Gallery here in Richmond, Nov. & Dec.  Stay tuned.....

Much more fun news to come, as I hold a secret adventure in the works.  Keep drawing and enjoy this wonderful Spring!  

  

Last day in Paris and Monet's Home and Garden

 Claude Monet's garden is about 1 hour 15 min., from our hotel via our special tour bus, and was everything I had hoped it would be and then some.  The artist's home is inviting with the rose arbors lining the garden side of the house.  And the gardens it over looks are so filled with blossoms you hardy knew which direction to look.  My only disappointment was it was so busy (we got there when it opened) there really was not a place to even do a quick sketch.  And we only had 2 hours to see it all.  Inside no photos are allowed but for those who have not seen it, it's decorated to the exact duplicate of the photos displayed inside. With replicas of his paintings hanging in his studio. My favorite part of the house was the blue and white kitchen.  His bedroom was a cheery space that's windows opened up onto his magnificent garden.       

The bridge view today is much the same as in some of his famous paintings but appeared to be lower than I expected.  I suppose it's because he painted from his boat in the water, giving it a higher angle and view.  But again many crowds to contend with thus no drawings ala Plein Aire.

We concluded our afternoon with a trip to the Musee de l'Orangerie  on the grounds of the Louvre gardens.  Containing a tribute to Monet's Water Nympheas series that took over 4 years for him to paint. They fill the walls of 2 long oval rooms. The link here will give you a teaser. www.musee-orangerie 

So that was a good ending for our Monet day.  
Au revior,

Gloria

The Louvre's Mona and the Eiffle Tower from my hotel room tonight.,

 At the Louvre to see Mona, my Italian mother's favorite painting.  Hectic and crazy today because Sunday's are free admittance to museums in Paris.  Wilma and I had a great time on the Batobus (a river boat that transports you to many of the sites all day along the Seine River.  Unfortunately we did not get to see the Museum D' Orsay due to extremely long lines.  No drawing or painting today it was our free day and art appreciation day.     

After a lovely dinner that cost way too, much we're back to the hotel and our rooms view of the Eiffel Tower at night.  Now to get a good nights sleep before our painting day and tour of Giverney tomorrow.  (our last day in Paris and France).

The one thing I've learned on this trip to France with other media Plein Aire painters is that the still life artist in me and the vignette lover in me has much to practice in my landscape cp work to feel comfortable.  I did stick to my guns and worked small the whole time 5 X 7 or 4 X 6.  A few I've shown here or will how in the next few weeks to come.  So stay tuned for more.

Gloria        

Pre-Plein Air trip to France Carry Ons for a Colored Pencil Artist

Here's what my large carry on bag looks like packed with my takings for the Plein Air Painters trip to Provence, France.  And if you notice the time of this posting you'll realize I'm having one of those sleepless pre trip nights.  So I got right to starting my trip Blog with a "Here's what I'm taking for colored pencil art".


Carry On Luggage to France has to be an exact measurement (which I won't boar you with here) but suffice it to say, my laptop/camera backpack meets that and bags also can weigh no more than 26 lbs.  Fully loaded it is 18.8lbs. so far, but I will add my ziplock bag of liquids (via TSA requirements) and maybe an additional treat for the trip.  The laptop part holds my notebook easily and the padding protects my Prismacolors.  And since they can't be purchased in Europe I need them safe.

The camera is missing as I'm using it for the photo, but you'll see my hot pink camera bag with sd cards, extra battery with charger and a bigger lens next to it.  This all fits in the camera location of the bottom of the bag along with some power bars, Garmin (loaded with Europe Maps) and it's cords, card reader, and French power converter.

My Prismacolor CP pencils are in a 120 count leather organizer, and working clockwise around the table top is:
A few scrap sheets of UART in very small sizes;
Several 5 X 7 ampersand pastelboards and (2) 6  X 12 ones;
My little notebook (for blogging to you all and sending much needed responses to home that I'm doing fine);
A 5 X 8 multimedia sketch journal, with envelope glued to the back inside cover for ephemera from the trip;
A few loose sheets of watercolor scraps to use as a palette for the watercolor cp's;
In the black organizer, a set of 40 Caran d'Ache Supracolor wc cps (I'm trying these out since they wet nicely and also layer dry nicely too!);
Some dry cloths for blending;
Michelin map of Provence, France;
Small bundle of brushes for blending;
Extra Prismas in my favorite colors;
Battery eraser;
Extra batteries for my last Panasonic battery sharpener;
Scotch purple tape for lifting color and watercolor tape for taping down drawing paper;
Small kit with stumps, eraser, mounting putty and 2 Caran d'Ache Neocolor water soluble crayons; Garmin;
Bug wipes and Wetwipes and more Power bars.
Oh and a nifty little hat behind the green kit that stuffs into itself and can clip onto my pack.

If your wondering I have an assortment of papers and a small drawing board in my large check in bag.  I'll add sunscreen from my ziplock bag of liquids when we get there.

And for my personal items (see left hand upper corner) I'll carry my hip slung mini purse loaded with a watercolor cp mini set in the small pencil tin with water brush and larger travel brush for washes, mini journal book, sunglasses, passport, Intrn'l Driver's License, tissues and a few personal items.

In my Italian large bag (on the right) will fit my small mini purse, Paris travel book, hand sharpener so I don't wake sleeping passengers, ziplock bag for pencil shavings, vitamins, business cards ( you never want to miss a chance for a connection) purse size toothbrushes for a fresh mouth during the long 9 hour flight, mini hair clip and 4 X 6 multimedia journal for on plane journaling. 

There you have it, no kitchen sink but enough to keep me busy, drawing, and manageable.  I haven't shown you a few personal items in the big bag but then again a girl has to keep a few things to herself.

Until I sign on in France to tell you about our trips beginning, have a colorful day!
Gloria



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