"Just Add Water" Colored Pencil on Ampersand Pastelbord

"Just Add Water"  12" X 16" Colored Pencil on Ampersand Pastelbord

I finished this piece in April just in time for the fine art fundraiser I Co-chaired again this year, "Artful Healing" which benefited World Pediatric Project, at the Jepson Alumni Center at the University of Richmond.  

The reference was taken on my 2012 trip to Provence and the lovely hill top village of Bonnieux, France.  On one of the side streets was a cute little shop with art and other crafts and outside on their terrace was this lovely little gathering of watering cans.  Perfectly arranged, although I did move the bluest one on the right over a little. The snail shells are to remind of the snail paintings seen in that gallery as well as the great escargot on the menu in town!  I can taste the garlic butter.......Mmmmmm.

My local art association - Bon Air Artists, has put on fundraising art sales for over 23 years, which have always benefited a local charity.  I have co-chaired 5 of them in the last 6 years.  A very time consuming activity which unfortunately takes much time away from painting in CP.  This was my last year to co-chair the event, as I have made a commitment to producing many new finished works for my upcoming One Woman show at Uptown Gallery here in Richmond, Nov. & Dec.  Stay tuned.....

Much more fun news to come, as I hold a secret adventure in the works.  Keep drawing and enjoy this wonderful Spring!  

  

Provence Windowsill a studio work from my 2012 summer trip to France

                         Provence Windowsill 12 X 16 Colored Pencil on Ampersand Pastelboard

The typical VA creeper we have in here seems to take on a much nicer appearance in France than in my our back yard.  Not sure if it's the ambiance of Provence or the variety they grow there.   The windowsill here from the beautiful town of  Lourmarin in Provence was a striking image and the photo of my piece appears to be a bit washed out here.  The original has much more depth of color, trust me.  I may have to redo the photo.  But needless to say the piece is finished and will be part of the UNOS Gallery show Nov. 2nd thru Dec. 29th (United Network of Organ Sharing) called A Splash of Provence. The group of 19 artists I traveled with to France this past summer will all be showing some of the work we produced as part of the exhibit.  A portion of the proceeds of each sale go to UNOS.

www.unos.org/

United Network for Organ Sharing (UNOS) is the private, non-profit organization that manages the U.S. organ transplant system under contract with the federal ...

700 North 4th Street  Richmond, VA 23219 (804) 782-4800

A very worthwhile cause to be sure and we are very proud to be showing there.  Some of the pieces are the very plein aire paintings produced in France and there will be some studio pieces also.  I will have both in my shown works at the gallery.  We have artists of all media showing and I hope it is a great success.

Provence Trip and a few Plein Airs finished

                                                   Lourmarin Plein Air Study 5 X 7

 

                                                   Roussillon Plein Air Study 5 X 7

Well finally I've scanned two of the Plein Air pieces done almost completely on site.  Both are on
Ampersand Pastelboard this first one on white and the 2nd one on the green pastelboard.  I prefer the white as the green or colors make bright whites a chore.   The Lourmarin turret turned into a home was completed with a underpainting of Watercolor Colored Pencils (Caran D'Ache) with layered  Premier Prismacolors completed on top.  Before starting the piece I photographed the scene and did a quick graphite study for composition purposes in my sketch book.   (I tried to scan it but the sketch doesn't want to show up well, sorry.)  I used the wc cp's to quickly tone the background area leaving the sky untouched.  When the wc cp was dry which happened quickly on site because of the dry warm day in July.  I then worked the sky.  Wanting to capture the atmosphere from morning haze still in the Luberon mountains behind.  Working small in Plein Air cp has become a must for my getting near completion in one day, but the sanded surface helps work much more quickly.

The Roussillon piece was started on a very windy morning sitting in the parking lot across from this hillside town.  Roussillon is where natural sienna pigments are found in the ground and the hues are amazing.  I did not do a composition sketch before starting this, nor did I do a WC CP underpainting, just straight Prismas onto the board.  Because this board was green to start with I mapped out a sketch with white cp lightly to build the drawing.  The day was so windy I had to leave halfway done and finish back at the hotel.  Building the colors due to the green Ampersand base coat, first with white.  Final finishing came when I came back to the states, but mainly tweaks and small details.  There was so much to get into this small 5 X 7, but the feeling of the village and it's colorful earth pigments is there. 

So there you have it, a recap of 2 of the pieces I did while on my France Plein Air Trip.  Colored pencil really is better thought of as a sketchbook media when on site.  But when you use a sanded surface, work small and use an underpainting of WC pencils things can move faster.  Perhaps not as fast as other media, but getting a saturated look is possible.  When wanting to work bigger I still use pastels, but  I do not love the mess I create nor are my pastel skills highly evolved.   And taking pastels on this long France trip would have meant more weight for my luggage.

Soon to post my Central VA British Car Show piece, just have to get it photographed.   Have a colorful Day!
      

Provence Plein Aire - Roussillion

View of Roussillion, France and it's Ocher  pigment in the mountain.

Yesterday was our trip to the perched town of  Roussillion, where the ocher pigments

My beginning for the view of Roussillion.

were mined, in all shades.  Finding the town which is only about 15 min. from Bonnieux was a little tedious as 2 of the roads were washed by mud slides.  So the third option 25 minutes later panned out.  Climbing in switchbacks the whole way up "Bubba" our new vehicle made the trip up smoothly.  Such a change from the vehicle I started out with.  Thank you Hertz!  

Lavender fields in many areas were out (not as much as farther south) and proved good photo ops.  As the driver I had to stay in the vehicle so I'm waiting for the copies my car mates ran out to get while I hung on to the edge of the road.  Look for them in follow up posts when I get back.  Being the designated driver has it's downfalls as I can't shoot so many of the quick shots of this wonderful landscape while driving, like my car mates can.  

As you can see my start for the view of the town was slow to develop.  The Mistral winds were at first a thankful gift for this hot day but soon became.a force to be reckoned with.  As the ochre colored sand and dust blew across the parking lot where I sat in the shade, I soon had more grit in my eyes and teeth than I could stand.   Here I'm working on a 5 X 7 piece of green ampersand pastel-board. laid out initially with 10 % french grey.  The drawing needs corrected some but the various little buildings are at varied angles which I observed first hand while in town.   This is as far as I got in about an hour and 15-20 minutes.  It was difficult to not loose your place while doing the sketch, while holding on to your supplies n the wind.   I hope to add some more to it from my photos.  More to come.  

Have a colorful day! Au revoir,

Gloria