I Blog about creating Fine Art, using Colored Pencils and also Oil Paints. Working in the studio as well as "En Plein Air", (In the Open Air). Come in and join the fun! My colored pencil work requires 20-25 layers of artist quality pencils. Trying to foster respect for artists who choose a nonstandard media is challenging. I hope this blog will show Colored Pencil deserves the respect from collectors and galleries as a fine art medium.
Tuesday, October 23, 2018
Travels, Art Journaling and Plein Air Colored Pencil Paintings
Posted by Gloria J Callahan Colored Pencil Paintings at 2:49 AM No comments:
Labels: British Columbia landscape painting, Canada, Colored Pencil Landscape, Colored Pencil Paintings, Gloria J Callahan Art, Landscape painting, Plein Air in Colored Pencil, Slocan Lake painting, Travel Journaling, traveling with CP's
Friday, August 3, 2018
International Guild Of Realism Acceptance for my Colored Pencil Work
Follow my blog with Bloglovin
"Happy Tequila" 16" X 12" Colored Pencil Painting on Ampersand Pastelboard
Being MIA from the blog apologies and fantastic news! While still working and teaching in colored pencil I've been a little preoccupied with all that summer brings into your life. A too long break from this blog is one of them. So sorry all if you've been waiting.
And the big news is I finally got out of my comfort zone and actually applied to The International Guild Of Realism for membership. This was a career goal for me and one I had been putting off for all the reasons we do such things. Fear of not being good enough and procrastination come to mind as just a few reasons. I know this may sound odd if you have been following me for a time. After all, I have my signature status in the CPSA, I've been showing around the US since 2008, teaching and demoing my techniques for 9 years. Not to mention blogging about it for almost as long.
While I am a member of several art associations and have held office in some of them, I like you have that little voice that whispers into my brain............ you know the one....... the one that says unkind, un-encouraging phrases.
I find it best to apply to art shows, competitions and professional organizations with no expectations at all. Put it out there in the universe or internet and promptly forget about it. Well kind of, if it's a show I need to track where I have entered my work for commitment to show. But other than that give it up. After all there's not much use in worrying about it after I hit the enter button is there!
Well to my absolute delight I was accepted!!!!!! Woooohoooo!!! ;))
After paying my dues I am now listed on their member page and will be able to apply to their future show calls for entry. The next show for me to apply to will be in 2019, since they request you not apply during a current show process. But they do have a show curated or juried this fall at:
IGOR 13th Annual
Juried Exhibition at
Sugarman-Peterson Gallery in Santa Fe, NM
Oct 5 - Oct 29, 2018
I do hope you will check them out and if the show is near you please check it out. I am so honored to have been added to their membership roster. In an effort to let more people know about this wonderful group, I have copied from their home page this about the organization:
The International Guild of Realism's primary mission is to advance realism in fine art through museum exhibitions, art gallery shows, workshops and education programs conducted by our members, marketing support, and internet exposure.
For us, "realism" ranges from the classical based upon traditional, academic-style painting to the contemporary where cutting edge techniques and a wide variety of subject matter are used to comment on today's world. Our members represent a wonderful spectrum of styles including (but not limited to) Trompe l'Oeil, photorealism, surrealism, and super-realism.
The International Guild of Realism was founded by a group of leading professional realism artists from around the globe in 2002 with four goals:
- Recognize the best realists working today.
- Create gallery and museum exhibition opportunities.
- Provide advertising and marketing support for IGOR members.
- Offer a bridge between art collectors and the highest quality realist art, created by our members.
We know that as greater numbers of art lovers have access to high-quality realism, the value of these paintings will increase — not just in monetary terms, but in appreciation, understanding, and international attention.
For art collectors, we have juried exhibitions in museums and galleries that span as many aspects of realism as possible, providing incredible panoramas of international work. For museums, we curate themed exhibitions that capture a snapshot of where realism is today. For fellow artists, we gather and share information about workshops conducted by members, and magazine features about realism techniques. It is our passion and our privilege to continuously grow and share this beautiful art form.
Not back to finishing a long project.......soon to be posted here on the blog.
Smiles and have a colorful day! Gloria
Tuesday, March 13, 2018
Finding Your Own Photo references, "On Glove - Eurasian Eagle Owl" Colored Pencil Painting
|On Glove - Eurasian Eagle Owl 16" X 12" Colored Pencil On Ampersand Board|
I'm not a stealthy photographer, even in my own yard I scare away the birds from the feeder. Unlike my friend Kathy who sits calmly with her glass of vino and gets fabulous photos to paint from. I need the "sure thing", the guaranteed close up shot, the it can't run, fly away, scamper off - shot. And I have paid dearly for these opportunities. But what adventures! From game reserves, to tours and class lessons.
The Male Eurasian Eagle Owl in my recently finished piece was an amazing specimen. Several years ago my husband and I spent a few days over the Thanksgiving holiday at The Homestead in rural western VA. On the blustery Friday after, we decided to take the Falconry class they offer on the estate. "Sure bet" remember. Hoping for some up close and personal photo ops. We started with the smallest raptor an American Kestrel, which I had the pleasure of having a private moment with.
|That's me before I let my natural silvers come in.|
He was ruthless in his gaze, as the handler had him "On Glove". This woman was fearless! His wing span was immense by my standards (almost 6 feet). He had confidence in letting us know with a penetrating gaze, that he could rip us to threads easily.
Working on rendering him I wanted to blur out the background to simplify and put focus on "his majesty". I debated taking out the glove and placing him on a branch. But the fearless stance of the woman handler just had to play a part in my piece, and as I thought of a title, it just had to be there also. Plus it was great fun to capture the leather texture of the glove and it's stitching. (It was little protection for his talons or beak.) The windy November day had his ear tufts and facial feathers moving and ruffling. I loved the movement it lent to the stationary composition.
Living in rural VA we have wonderful Barred and Screech owls serenade us at night from the stream at the back woods of our property. They call back when you mimic their calls. When I listen to them each Spring I remember my encounter with this Male Eurasian Eagle Owl and respect their space. I do love when they perch on the top of our conservatory's roof and serenade me to sleep.
Where can you find adventure, original photo references? In the weeks to come I'll be listening for my owls, Spring is on it's way!
Posted by Gloria J Callahan Colored Pencil Paintings at 5:04 PM 2 comments:
Labels: Colored Pencil Paintings, Eurasian Eagle Owl, Falconry class, Gloria J Callahan Art, Owl Paintings, Photo references for paintings, The Homestead, Wildlife Portraits
Saturday, January 13, 2018
Dreamland - 8" X 10" Colored Pencil on Ampersand Pastelboard
Dreamland - 8" X 10" Colored Pencil on Ampersand Pastelboard
As 2017 came to a close I found myself trying to finish some abandoned pieces in the studio, ones that had their starts for various reasons and were set aside for a moment, then another moment.... and so forth. Commissions get in the way, teaching and so does life it seems. When my work takes a back seat, it always seems that "artist block" has a little more to do with my not getting back to "it".
This little portrait study was intended to be an exercise in the shadowed skin tones on an infant as well as a subject for a demo I did at the gallery I show my work at, Crossroads Art Center. The sweet little guy in the photo is not a grandchild but a family friend's baby. An innocent sleeping babe's photo whose devoted mother posted on Facebook. It was a photo that I found very intriguing, as well as full of softness. After commenting on her sweet photo that I would one day like to paint her sweet baby boy, I couldn't get it off my mind. She of course gave me permission to use it as a reference for a future piece. (Getting approval before using someone else's photo is a MUST, I wouldn't have otherwise.)
|Demoing at Crossroads Art Center Reception|
My intrigue was a self imposed challenge of sorts, one I have mixed feelings whether or not I have succeeded. But of course we artists have always been afflicted with the "Artists Curse", self critical to the tenth degree, as well as the plague of "Am I finished----no wait-----maybe just one more ---- tweak". We all suffer from it from time to time, oh yeah, how many years and paint over's did the Mona Lisa get? Even Leonardo had the curse. But he had the luxury of using oil, usually an opaque media that can be painted over or wiped off.
Colored pencil is not as forgiving. Depending on the surface used you can make some major corrections but rarely do they completely go away. The sanded surface of Ampersand Pastelboard can successfully be erased with a vinyl eraser with the hopes that only a ghost of an image remains. See my older post: "Powhatan's James River Plein Air Study - Sticking It Out In The Rain" for a sampling of what can be painted over in colored pencil on this pastelboard.
But I digress, the conundrum for me on this piece was NOT major erasing or corrections at all it was the later, endless tweaking. You see the challenge for me was "Can I create a painting in colored pencil of this sweet baby softly sleeping WITH all the dark shadows caressing him as he sleeps, WITHOUT creating skin tones that make him look ashy or dirty????? For colored pencil the translucence of layering skin tones on my normal white background isn't too difficult, but settling the figure INTO the shadows of a sleeping baby's crib? Well that was it!
I did lighten the image up a bit from the photo his mother sent me. And made it a tad larger so I could see all the gradual changes in tone. I cropped in to focus on the highlights and then shadows under of his lashes and to the light that catches on his rounded sweet features. My rendition is lit a little more yet, but I think doing so helps show the internal glow of this innocent soul.
I actually love creating skin tones on the sanded surface because it takes so much of my waxy Prismacolors. With the combination of my heated Icarus Board* and brushes to soften the waxy pigment and blend the pencils "like buttah". Applying many many layers, building numerous colors lightly, brushing, and building over again, the sanded surface slowly fills with pigment and the shades blend into skin. You see it's the filling of the surface for me that helps with the painterly look which is my style. No surface speckle remains. And when sprayed with fixative and then several layers of varnish the sanded board is completely smooth to the touch. Thus making it difficult to tell what the media is. I love that!!!!
*The Icarus Board invented and patented by Ester Roi and built by her husband Mario, is a godsend to colored pencil artists who love wax based pencils. No solvents are needed, no odors, toxic fumes to blend the pigment, just warm heat. And in January this is a welcomed thing. Please click the link above to her website and enjoy the art and information she shares about it's use. I recently purchased the larger fully heated board that can strap to my drawing board or easel if needed. The larger heated surface helps me work faster and bigger as needed. I used to use my previous board only when I need to blend backgrounds, make highlight corrections to soften edges at the end of my process. But I have found that I love the larger board over my older version (half hot and half cold).
I had great fun creating the woven thready look of the baby's trusty companion bunny, snuggled up close to his face. And it was a source for noodling and fiddling to get the sewn on eyes to look thready and stitched. I've since learned this bunny had a washer/dryer debacle and I think lost the battle.
If you feel I have accomplished my goal of a "soft shadowy portrait without an ashy look" let me know in the comments below. And as always your comments are appreciated.
Subscribe to: Posts (Atom)