"Friends - A Collaborative Exhibition" - Opening Nite and more about working a Duo Exhibition Oil Paintings and Colored Pencil Paintings

 For Arts Sake Gallery - Sept. 1 thru Oct. 3rd, 2016

Garlic - 4" X 8" WS Oils on cradled board

Scallots - 4" X 8" WS Oils on cradled board

 Opening receptions are great to walk into when you know you already have sold paintings!  Which does not normally happen!  So having sold 2 pieces within hours of delivery (One was still wet!) before they were even hung is a special treat.  The two oils on cradled board are oil paintings I created for this show.

My exhibit partner, oil painting friend Kathy Scott, also sold a painting before the show was hung, which had us both off to a great start.

I've participated in many opening nights, group shows, solo shows but it's great fun to be in a Duo Show.  As my regular readers know I am primarily a colored pencil painter who also works in water miscible Cobra oil paints. (Due to sensitivities I have to solvents and the aroma of most oil paints, even other brands of water miscible or soluble oils.)

The slow nature of 20-25 layers of colored pencil paintings makes for a less than optimum output to create in a year's time.  Galleries and shows generally need well more than 20-23 pieces to hang.  Especially if you work in sizes 18 X 24" and smaller sizes.  So working with another artist to create a show in a shared space is a great solution.  It doesn't hurt either when you have a friend who's palette compliments your own,  even in another media.  Kathy and I frequently paint plein air (in the open air) and her use of the Cobra oils enabled me to spend the day painting and traveling without the migraines I would have had if she hadn't.  Now that's a good friend!

The photo at the left is Gallery owner Diana Robinson, Kathy Scott and myself. (left to right) Thank you Dave Oxley for the great photo!

Kathy Scott's Oil Painting Don't Fly Away

Kathy's use of oils without consequence to my health gave me the hopes that I could once again pick up a paint brush!  Acrylics and watercolors had been media I used in the past which I left for my beloved colored pencils.

Her work and wonderful bird paintings can be found here at Kathy Scott Art.   Having a friend who's work compliments your own and who's working style is unique into itself makes combining efforts for a show much easier.

What we planned for in advance:
-A show title is a must, and we knew from initial talks about what we wanted to produce, that nature would play a big part.  Plein air work in both my mediums as well as hers was part of who we are, after all it's what we do together to have fun!
-Framing for our work, had to compliment the work but also be of a certain quality, check!
-Playing on both your strengths, enhances each other's work.  This is not the time to complete, support and encouragement is the power of all friendships and should be respected.
-Plan on a location that will showcase your work combined.  For Arts Sake Gallery was the perfect location for us both, convenient and appreciative of our Duo approach!
-Working in sizes similar to each other also helps for a pleasing exhibit.

Now since I teach Colored Pencil Painting Classes at For Arts Sake Gallery, so I wanted to showcase the many different surfaces colored pencil can be worked on.  Travertine Stone Tile, pastelboard, mylar, suede mat board -  I'm always trying to convert new artists to the medium!  If your curious about the gallery you can find their website here!

My model for Shauna - Mona Lisa's Smile posed for photo's at the opening.

And of course two additional sales on opening night were so appreciated.  My focal point painting: "Peaceful Skies - Poppy Collection" 18 X 24' Colored Pencil on Ampersand Pastelboard SOLD that evening to a favorite collector!  See my previous blog post to read about the "two medium series".  As well as another oil painting, Fleurs 6 X 8", below.

Working together to help each other's collector base grow and providing a cohesive exhibit presents artwork without waiting until you can fill a show.  We each had 23-24 paintings, that were able to fill the gallery's available space.  Thank you Diana Robinson, from For Arts Sake gallery for hanging and selling our work.  We both appreciate the hard work your gallery does on our behalf!

Now back to more color!

Gloria

Getting ready for a Duo Exhibit - And starting a new series.

Peaceful Sky - Poppies
12 X 24
 WS Oil on Canvas

     Two Media - One Series                    
                               

Peaceful Sky - Poppy Collection, 18 X 24, Colored Pencil on Ampersand Pastelboard

                                       

For a while now I've been MIA from my blog and I'm sorry about that.  I really appreciate my readers and hate to have disappointed anyone with the lack of posting.  I wonder how many of you have the same issue as I do?  Finding it hard to multitask as well as I used to.  I seem to be dropping balls more so lately.  

Getting enough work accomplished for a solo or duo show can be daunting when you have had only 10 months between shows.  Especially when combining that with the slower medium of colored pencil painting and representational oils.  My solo show last November required 17 paintings, my Duo show opening September 1 required 23-24 for each artist.  My friend, oil painter Kathy Scott and I titled our duo show at For Arts Sake Gallery "Friends, A Collaborative Exhibition", by artists Gloria Callahan and Kathy Scott. Opening reception is on Friday, September 9, 2016, 5-8pm. Free and Open to the public. Exhibit runs August 29, 2016 through October 3, 2016. 

Me demoing the CP Poppies at a local art event in Richmond

Since I have been working in two media (my beloved colored pencil and water miscall oils) in the last year and a half, I wanted to combine them for this show.  And I felt they would blend well with my co-exhibitors work.  An important consideration when your doing a duo show.  I also had a specific style and series in mind for this show.  I've termed it Peaceful Sky but eventually some Stormy Skies may show up in the series.  Stay tuned.  

As you can see from the vertical piece above on the left, the poppies are in oil and on canvas.  And the Poppy Collection (on the right) are in CP and on Ampersand Pastelboard.  I do not enjoy working on canvas when oil painting, I think it's the bounce of the surface and the texture of canvas.  But I knew I needed some larger pieces and could not find board in the dimensions I wanted.  I much prefer working on board no matter the medium!

Backlit Poppy  5 X 7 Colored Pencil
 on Ampersand Pastelboard

Two of my favorite things - Skies and Flowers. I love Poppies, always have, they remind me of the ones my grandmother grew back home which originated in her hometown in Italy.  Brought to America by seed and nurtured thru the years by she and my mother.  In PA they always bloomed around Memorial Day.  Here in VA, the heat and humidity seem to challenge them to growing for more than an annual.  So planting them in my art seemed to be a splendid idea!



The Backlit Poppy was done as an study for whether the poppies would look good on a dark or light background.  As much as I do love backlighting, and I may explore this more, I wanted to combine the sky and flowers instead for my larger pieces.

Developing the Poppy Collection

If your me, somedays it's hard to pay attention when driving when the sky is so fascinating!  I wanted to capture the clouds in volume and lighting.  I wanted the lit backsides to shine and glow as well as capture the softness and sometimes crisp edges.  Placing the flowers on such a sky in a view from underneath, looking up was exactly what I had in mind.  Almost as a child looks up thru a flower field.  Innocence and bright color.  






There is one more Oil Peaceful Sky piece in the works, but alas the drying time of my Cobra Water miscible oils 
has me on a learning curve, so it did not make the show deadline for turning in.  Check back as it's a big one!

Colored Pencil classes moved in June from my home studio to For Arts Sake Gallery   804-740-1400, 9770 Gayton Road, Richmond, Va  23238  www.forartssakegallery.com  and will continue in an ongoing monthly schedule for Thursdays, in two sessions 9:30 - 12:30 & 1:00 - 4:00.  Please contact Diana at the gallery if you are interested.  

In the show are Plein Air Paintings in Colored pencil and in Oil, as well as several Studio still lives and other work, I will highlight more in my next post.  

Enjoy the last of summer and stop to look up and enjoy the summer sky!

Gloria

Workshops and Motivation To Do What We Love - Paint!

Workshops and Motivation To Do What We Love - Paint! 

OR

 In other words:  Conquering doubt and the pains of stretching in your skill set.

"Late Summer -  Plein Air Study" - Oil on Gessoed Hardboard 9" X 12"

The above oil painting is from my most recent plein air outing at Powhatan State Park along the James River this week.  All but the clouds were done on site since they seemed to be everywhere except over the field I was painting.  And my goal was for this to be a sky painting!   I haven't done many with the Cobra water miscible paints but I'm happy with this one.  

But I digress from the reason for this post. Note this is a long blog post sorry;((

It’s funny how ending one large time consuming project in your life - leads to self examination and sometimes an inability to get back to the art you love.  If your like me, you channel yourself in household chores that we may have left for “the project”.  Or you keep yourself busy with the "office to do’s" in an artists life.  Computer work, website updates and getting caught up on the accounting of your business, can provide necessary distraction..... Errr Umm procrastinations.....  All the while dabbling in but not really completing any of the works you have on your easel.  

Knowing this about myself I had signed up for a wonderful workshop from an artist who’s use of color is inspiring, clean and just plain makes you happy.  And HAPPY is what I needed to get much more of lately.  Her name is Dreama Tolle Perry and you can find her joyful paintings and workshop info  HERE.  

Dreama'a 3 Day Workshop in Paris KY, is in oil and for me this was the first workshop I’ve actually done in oil.  Even though I have studied with other wonderful accomplished oil painters -  Charlotte Wharton, (who’s plein air insightful workshop I did in pastel) and Barbara Nuss (who’s plein air workshop I did in my usual colored pencil). (Click on their names for links)

Out of my comfort zone and into the fire was how I felt.  After all I had only completed one oil plein air sketch to date before I went on this adventure.  Dreama’s lovely loose brushwork is much different than the tight style I’m known for.  Her easy going start to her casual paintings is completely opposite from my controlled composition and exacting line drawing whether “en Plein Air” or in the studio.  Oh and did I say her expressive brushwork is just short of gobsmacking!

All of this coupled by her enthusiastic “joyful” demeanor was contagious.  So on Day One - I laid out her translucent color palette in my water miscible oils, picked up a brush too big for my comfort zone and started on this lovely image provided by Dreama. I was thinking, learning to use her format of working thru a painting "alla prima” (fresh - wet on wet) shouldn’t be hard, since I had only tried 2 other paintings in the oils before. After all I had no bad habits to unlearn, and Dreama made it look so easy.  However day one provided a big challenge for this detail oriented mind.  But I love her joyful use of color and I was determined to “Get” this new media. 

Day Two - Da Dun Dahhhhhh (Cue: doom and gloom sound effects)  Let’s just say day two enabled me to have a refresher course on what it was like to start a new media, no matter how experienced you are in other media.  

Humbled and grappling with how to control my brush and this new oil media left me frustrated and feeling defeated.  I was trying to channel Dreama’s style and failing big time!  I looked around and saw 17 other artists enjoying the day and their paintings and wondered what was wrong with me?  Even my supportive friend Kathy Scott, oil painter and roommate for this trip, was having a great time.  Day Two's painting was a complete “wiper”.  Or at least one that will never see the light of day!  I went back to the hotel whipped and feeling defeated.  It took more than one glass of wine Kathy so wonderfully provided before I felt better.

That night I had to dig deep and think about the “why” and the “how” I was going to recover from Day 2, and get thru Day 3.  We had some really good artists in the group from all over the US and one from Israel!  And they could do it.  Then it dawned on me……Cue: Light bulb symbol…... What I realized was that all of the other artists were working with Dreama’s palette but in a style they were comfortable with, their own.  I was not.  This was no failing with Dreama’s teaching, it was I believe, a result of the inner conflict I’ve been having with where my art is going.  After all I was new to oil, I didn’t have “a style” in this media yet.  

So Day Three - Paint from our own reference.  I needed a new outlook.  And Dreama’s words of wisdom on that very Day, helped me realize "I needed to fill myself with the joy to create and work in my own style and however that developed would be just right for me”.  (Paraphrasing here but she said something like that).

Sometimes what we need to hear, comes at just the right time to be heeded in all areas of your life. And for me this was truly one of those times.  (Cue: angelic singing) 

"Fleurs"  Oil on gessoed hardboard 5" X 7"

My piece for Day 3 came out much better than I had thought it could have on Day 2.  More importantly I learned how using transparent colors keep your colors clean and bright.  Dreama's approach is truly a great start to my oil painting future, from her palate to her infectious optimism.  I may bring forth more detail because that’s what I love, and it’s OK, but I will heed her words as I find my future in my art.   

If you can't see it below, Here’s a link to Dreama’s video of our workshop. HERE

Thank you Dreama Tolle Perry for being an inspiring teacher, artist and the voice of "what I needed to hear when I was ready to hear it" at your very special workshop.  Oh and for exposing me to Paris, KY! ;)))  

Gloria

"Norwood's Buttercup Fields" A Plein Air Study, 5" X 7" Oil on Canvas Panel.

Oil Paintings and Plein Air Outings

NEW!!! Oil Painting Blog

New to my blog as well as to me, join me for my adventures in Oil painting.  

Yep you heard it O I L, (water mixable that is!)  

I've always had a sensitivity to oil paint but mainly the solvents needed for their use. After a few years of trying to make pastels, acrylics and my beloved colored pencil work "En Plein Air" for onsite paintings I've found that water mixable oils will do the trick.  I'm using Cobra brand for this purpose and I'm taking to it like a duck to water.   

"Norwood's Buttercup Fields"  A Plein Air Study, 5" X 7" Oil on Canvas Panel.

I had a really great day today!  Who can ask for more than that?

Creating my very first Oil painting, (using Cobra Water mixable oil paints).

Wonderful Spring air, very few bugs, painting in the shade of a hundred year old tree - and Virginia buttercups filling the fields at a local Historical landmark plantation, Norwood.  This plantation has been in the same family since 1835.  To view the plantation click:  here 

The back fields, I plein air painted, in colored pencil, one c-o-l-d November morning in 2013, are horse fields that lead down to the James River in Powhatan County.  When we visited that Nov. day the owners volunteered to allow us to come back in the Spring to paint the same fields when the buttercups were in season.  

Me at my easel. 

And Oh my! Were they right about the beauty of the golden fields!  What a view from the back of the house.  Knowing that at one time, there had to have been tobacco or other crops planted there, but today they board horses.  The horses came and went all morning long but this painting was not about them.... it's was all about the buttercups.  

Ok, about the Cobra paints --  as an ex - acrylic & watercolor painter, who has primarily made her way to the wonderful translucent color of Colored Pencils - 

Cobra's, by Royal Talens,  are Juicy, Creamy and didn't dry fast like Open Acrylics do.  The breeze was warm and 92 deg. today at 2:00 when we finished.  So they did dry enough to add layers on top of my underpainting to enable me to finish in the field.  No solvents are needed, not even water, except to wash out a brush!

Although I worked small, "just a study" I told myself.  It didn't have to be a finished painting, after all.... my first oil and first completed "Painting Media" painting in 15 years.  I left the golden field of Norwood happy and content that I finished a piece in 3 hours.  That would never have happened in CP, I'd have had to go home to finish it even at this small 5 X 7 size.       

OK now since we painted under the trees, evidence of critters and debris fell into my palette the longer the session went.  To the point that I was adding texture as I went.  LOL ;))))

While I have much to learn about these oils, I love not getting a headache from solvents, and clean up is easy with soap & water.  Stay tuned for more adventures in Oil.