Getting ready for a Duo Exhibit - And starting a new series.

Peaceful Sky - Poppies
12 X 24
 WS Oil on Canvas

     Two Media - One Series                    
                               

Peaceful Sky - Poppy Collection, 18 X 24, Colored Pencil on Ampersand Pastelboard

                                       

For a while now I've been MIA from my blog and I'm sorry about that.  I really appreciate my readers and hate to have disappointed anyone with the lack of posting.  I wonder how many of you have the same issue as I do?  Finding it hard to multitask as well as I used to.  I seem to be dropping balls more so lately.  

Getting enough work accomplished for a solo or duo show can be daunting when you have had only 10 months between shows.  Especially when combining that with the slower medium of colored pencil painting and representational oils.  My solo show last November required 17 paintings, my Duo show opening September 1 required 23-24 for each artist.  My friend, oil painter Kathy Scott and I titled our duo show at For Arts Sake Gallery "Friends, A Collaborative Exhibition", by artists Gloria Callahan and Kathy Scott. Opening reception is on Friday, September 9, 2016, 5-8pm. Free and Open to the public. Exhibit runs August 29, 2016 through October 3, 2016. 

Me demoing the CP Poppies at a local art event in Richmond

Since I have been working in two media (my beloved colored pencil and water miscall oils) in the last year and a half, I wanted to combine them for this show.  And I felt they would blend well with my co-exhibitors work.  An important consideration when your doing a duo show.  I also had a specific style and series in mind for this show.  I've termed it Peaceful Sky but eventually some Stormy Skies may show up in the series.  Stay tuned.  

As you can see from the vertical piece above on the left, the poppies are in oil and on canvas.  And the Poppy Collection (on the right) are in CP and on Ampersand Pastelboard.  I do not enjoy working on canvas when oil painting, I think it's the bounce of the surface and the texture of canvas.  But I knew I needed some larger pieces and could not find board in the dimensions I wanted.  I much prefer working on board no matter the medium!

Backlit Poppy  5 X 7 Colored Pencil
 on Ampersand Pastelboard

Two of my favorite things - Skies and Flowers. I love Poppies, always have, they remind me of the ones my grandmother grew back home which originated in her hometown in Italy.  Brought to America by seed and nurtured thru the years by she and my mother.  In PA they always bloomed around Memorial Day.  Here in VA, the heat and humidity seem to challenge them to growing for more than an annual.  So planting them in my art seemed to be a splendid idea!



The Backlit Poppy was done as an study for whether the poppies would look good on a dark or light background.  As much as I do love backlighting, and I may explore this more, I wanted to combine the sky and flowers instead for my larger pieces.

Developing the Poppy Collection

If your me, somedays it's hard to pay attention when driving when the sky is so fascinating!  I wanted to capture the clouds in volume and lighting.  I wanted the lit backsides to shine and glow as well as capture the softness and sometimes crisp edges.  Placing the flowers on such a sky in a view from underneath, looking up was exactly what I had in mind.  Almost as a child looks up thru a flower field.  Innocence and bright color.  






There is one more Oil Peaceful Sky piece in the works, but alas the drying time of my Cobra Water miscible oils 
has me on a learning curve, so it did not make the show deadline for turning in.  Check back as it's a big one!

Colored Pencil classes moved in June from my home studio to For Arts Sake Gallery   804-740-1400, 9770 Gayton Road, Richmond, Va  23238  www.forartssakegallery.com  and will continue in an ongoing monthly schedule for Thursdays, in two sessions 9:30 - 12:30 & 1:00 - 4:00.  Please contact Diana at the gallery if you are interested.  

In the show are Plein Air Paintings in Colored pencil and in Oil, as well as several Studio still lives and other work, I will highlight more in my next post.  

Enjoy the last of summer and stop to look up and enjoy the summer sky!

Gloria

Plein Air Colored Pencil Painting - On The James River

A week ago Richmond had it's second Plein Air Event sponsored by Brazier's Gallery 

on West Main Street.  Nationally known artists from around the country and locally competed in an week of plein air painting with the beneficiary our local Richmond Symphony.  Having participated in a past Richmond Symphony fundraiser and as an ex flute and piccolo player, it's a great group to support.  Two of my friends and I went down for the Fast and Fresh painting on Sat. morning where artists where set up on Monument Ave. in various locations to paint from 9am to 11am, with a judging and sale afterwards.  I have to tell you I met some plein air painters I had only read about in Plein Air Magazine, I was a groupie for sure.  Oil, watercolor, pastel and acrylic all media represented except my beloved CP.  But what this morning out had accomplished was just what I had hoped it to, inspire and motivate my two friends to try plein air working for the first time.  Resulting our plan to do so this last Thursday.  

 On June the 20th my two art friends and I,  plein air painted at James River Park in Chesterfield County, VA.  I of course worked in Colored Pencil while the other two worked in oil and acrylic.   Working with other painters is not new to me as I am often the only one working in colored pencil.  My usual goal when working outdoors with painters is to accomplish as much as possible in the same amount of time as they are willing to work onsite.  My slower to develop media means I'm usually the last to leave with less accomplished.  I accept that fact and by now I have learned to set a few goals for myself for each outing.  This time the goals were to get as much done faster than I have ever done in the past and to get a good feeling of atmospheric perspective.  I worked on an 8 X 10 hardboard that I had primed a while ago, a pale greyblue color with Colorfix's Blue Haze Primer, creating a sanded surface.  It seemed the perfect color to work fast and fresh on my own (see reference to the plein air event above). 

Above is the cropped view of my photo taken before I started. 

After scouting out a location at the park with a view of the James (which was very muddy after some thunderstorms the night before). We set out to work, my friends for the first time ever working plein air.  I thought to myself, "if it's their first time then I just may be able to accomplish a lot this time".  I usually work on white Ampersand Pastelboard (my favorite because of the ability to get truly light - lights) colored pencil being a translucent media.  This meaning the blue under-color of my primed board will show thru and change my hues and brightness.  On this bright and relatively cool June day I would be able to work more quickly not starting with a white surface.  Here is what I was able to    

accomplished in a 3 hour period of time (above).  Now this photo turned out a little more warm in tone than the second one to the right, not sure why.  The right one is also a bit bluer than the original due to my great photography skills, not sure why either.  ARGGG.  After arriving home and a quick bite to eat a late lunch, I took the above photo and sat down to work less than 30 more minutes on tweaks and missing info like: the ripples in the water and deepening the tones a little.   Really, I only worked a short time on this.  You will notice I added a smaller version of a tree on the on site photo to the lower left foreground, to point your eye into the painting a bit more.  Not sure if I like it but it's there to stay.   

What I learned this outing:

 #1 You cannot use watercolor pencils for an underpainting on the Colorfix primed surface, it will lay down well but when hit with water the color beads up on the surface and does not sink in like it does on the Ampersand Pastelboard I usually use.  When I have worked on the pastelboard I work 5 X 7 but this blue primed sanded surface allowed me to work 8 X 10 and get a lot done.  However it would have been faster if I could have underpainted with the WC CP's.  With this subject matter the blue hue of the board did not impact the overall tone much.

   

#2 Working with inexperienced plein air friends allows me time to get more done, thanks Kathy and Suzanne for trying this with me.  Next we are off to Suzanne's.

#3  There's nothing like getting out to see other professional artists plein air paint to get the inspiration juices flowing.

#4  I have great friends who will accompany me to paint plein air and to go out of their comfort zone and try new things.   

So everyone get out there and do some sketching, painting, observing.  Whether it's fast and fresh,  or as slow as CP we all can benefit from working outdoors.  First time or not we all have something to learn.  I'm already contemplating my next plein air goal in colored pencil.  Have a colorful day!

Gloria

Car Show and Wine Festival - New Work

                     1954 MG TF Landscape  12 X 16 Colored Pencil on Ampersand Pastelboard

I finished this piece last Wednesday just in time to get it photographed, varnished and framed for our local British Car Club Car Show at New Kent Winery this past weekend.  We have and arts and craft area in which I show my art.  My husband and I are members of the club but currently our 1953 MG TD is in many parts and pieces as it undergoes a total renovation.  So until it's completely done and road worthy I draw other great cars from our club.  This one is our club president's car and it certainly is a beauty.  (our TD is much the same style)

Creating this work involved a few changes to the original photo so I thought I'd show you what I had to work from.  The day the photo was taken in Aug. 2011 was very sunny and a typical VA warm humid one.  The meeting was during the mid day when sun was not the best for photos.

I removed the large white tent behind the car on the right and added more of the vineyards like on the upper left.  I chose to create a more fall-ish coloring starting on the trees since our show is a fall show and also to add some warmth to all the greens in the reference.  The photo made the car look so much blacker of a green than it really is, due to the lighting on this day.  Working on the sanded surface helped me quickly create the gravel surface, by just skimming over the surface with Prismacolor sticks and using some stippling with CP's.  I went for a warmer gravel than in the photo to keep color harmony in my work.  Being a slave to the photo is not always a good thing, so remember to compose your piece to make a better painting than photo.   As you can see the sky was a complete wash out in the photo so I made this one up from all of my observations of skies and clouds.  Mental photographs are a great resource and you always have them in your head.  All you have to do is take the time to really see some of the great skies we take for granted.

The show was a great success with over 250 classic European cars.  And I made some great contacts for Car Portraits!  Which is really just a still life in a landscape.  Enjoy your colorful day and next on to a new piece from my Provence Trip.

   

Additional Painting To My Wine Series

                       Waiting For Harvest 16 X 12 Colored Pencil On Ampersand Pastel Board

In full swing of Art Festival/Exhibit Months, it seems my goals to get new work completed for the Wine Shows to come meet with distraction on a daily basis.  I attended the Exhibit at Glenview Mansion in Rockville, MD on Sunday of the CPSA (Colored Pencil Society of America) Disctrict Chapter in DC, of which I am a member.  The mansion is a beautiful and artsy place to exhibit with so many shows going on besides ours.  I have three paintings in the show and received nice comments from the other members on them.  A must see if you are in the area.

Now for the painting seen above, it's finally finished and I'll do another similar with red grapes soon but it will have a distinctly unique feature, stay tuned.  Both of the references for the 2 grape harvest pieces are from my 2009 trip to Castello di Colognoli, in Tuscany.  This of course the white grapes on the vine waiting for the harvest, thus the title.  The photos were taken late in the afternoon just after dinner and the warm setting Tuscan sun was setting.  The feeling of being there comes back to me as I work on these, remembering the sweet taste of these white grapes.  But I've started a wine still life to give me a break from all the grape drawing, and Still Life are one of my best sellers.

I've got frames to order and at least 2 more paintings to finish by then ......so back to it.