Sunday, May 25, 2014

Finally I have my latest piece finished, photographed and up for all to see: Life's Bowl 18 X 18, Colored Pencil on Ampersand Pastelboard


Life's Bowl
Colored Pencil on Ampersand Pastelboard
18 x 18

The Rainer Cherries in, and reflected on a this silver cup and the antique silver spoon near it, are kind of a metaphor for the how life is supposed to go.  We all know the phases, "Born with a silver spoon in your mouth" or "Life is a bowl of cherries"  As you all know I love my shiny objects and reflections.  And the pieces I put them into usually go quickly and with a lot of joy.  Don't get me wrong I loved the reference for this piece and the composition but I just became bogged down with life in it's process.  Kind of like life was trying to prove the above noted phrases wrong.  

After the successful art fundraiser which took 15 months to plan in March (I wrote a blog entry about it Last month) and my classes gearing up in early April, I just plain ran out of gas.  And then the dreaded 
.........Cue Ominous Music Here......... "Artist Block"....... hit me!  Smack in the face!  I didn't have time for it.  I hadn't thought it would hit of all people me!  The girl who loves to get out my colorful pencils and play with color.  But it did, it hit hard and as hard as I tried I just couldn't get myself back in line.  Has that ever happened to you?

I tried meditating, relaxing, fiddling with another media (Acrylics).  I tried a short vacation, garden work, you name it and I just couldn't recover.  So what do you do?   You GOOGLE Artist's Block!  Yes, you heard me right, when all else fails in this day and age you google it!  And after reading articles other creative types had written, you tube videos, and the like, I stumbled on an article that said "Artists block is just procrastination,  get over yourself and get going, the only way out is to get to work!"  Well now I'm paraphrasing the article but that was it in a nutshell.  If I thought that bit of information would have gone to my core as it did over the next couple days I would have remembered which article I found it in, so I could give the author credit here.   

So if you google it you too may find that article or my blog entry, and I hope either one helps get you back on track.  

Oh, and since I'm back on track, I'll let you know about my current show where I am one of the four featured colored pencil artists mentioned below.  And if your in the Annapolis area before July 6th stop by and see a great show put on by the CPSA Chapter in Washington DC in the Willow Gallery at Quiet Waters Park, Annapolis, MD May 21st - July 6th.  Reception is June 1st from 2-4 PM.


Wednesday, April 30, 2014

Colored Pencil Painting "En Plein Air" Article


I am very pleased to announce the above image is the issue my article (Plein Air This Year) for Colored Pencil Magazine - May 2014 edition has been published.  And may be accessed by subscribing to either the Print version or the Ezine version by the following link.   http://www.magcloud.com/browse/issue/744202

You know working in plein air (painting in the open air) has been documented here in my blog since it's beginning and while I use the skills learned and honed for normal CP work, a few changes have been adapted to what can work en plein air.  I have traveled to Europe, Bermuda, and around the US either on special art trips where the focus has been to work plein air and on family vacations, business trips with my hubby and with other artists working in various media.  As normally the only CP artist I have had to adapt.  And whether you are just travel journaling for vacation or doing a sketch crawl, CP is a great clean media to work in.  I hope you enjoy the article and the magazine as it has many other great CP artists included.

I have ventured out plein air-ing this spring but due to some tough weather outings, getting a finished piece done in the field has not happened.  Many starts and beginnings which you will see in a future post, have happened.  I hope to complete a few when my teaching schedule lightens up.  So stay tuned!

The main reason I have been slightly absent here on the blog is my local art association (Bon Air Artists Assoc.), of which I am president and a co-chair on our fundraising committee, produced our first inaugural exhibit "Artful Healing", a fundraiser to benefit World Pediatric Project (WPP) here at the Jepson Alumni Center at the U of R.  We showcased 63 local Richmond artists exhibiting and selling wonderful artwork of which a portion of sales went to WPP.  Over $42,000 of art was sold during the 1 and a half day event in late March, with the help of Crossroads Art Center.  The artists were thrilled and from the donated portion of sales we raised enough funds to send a travel medical team to one of the South American locations WPP goes, to help heal children.  30-40 medical procedures can be facilitated during one of these trips.  Bon Air Artists Assoc. worked tirelessly on the project for over 15 months and with the first year under our belt, we are looking to 2015 for a second "Artful Healing" to continue our efforts to support this great cause.


As we push thru the April Showers this week I hope all of you will get out there and make some CP art happen, even if it's just a sketch of a future painting idea or a flower from your garden.  

Gloria Callahan

      

Sunday, March 9, 2014

At The Root Series

 At The Root - Orange Beets  9 X 12 Colored Pencil On Ampersand Pastelboard SOLD

My "At The Root Series" is officially that with the addition of the second piece, see my blog entry from my last piece created in 2013. (At The Root - Radishes) here  The background colors of this new addition are more true in this image than in the radish piece photo in the above noted link/blog entry.  So imagine the radish piece with more yellow in the background.  I must get the radishes rephotographed so they represent the series as more cohesive in color, which of course they are.

Which brings me to sharing my thoughts on a series.  I find it difficult to work on more than 2 in a series without interjecting a new subject matter (or non series painting).  Why you ask???? My old job was as a production painter for a local Richmond print company that sells hand colored - watercolor prints.  I did this for 8 years.  And is the reason why I do not paint for myself in watercolor any longer, or for that matter work in large series.  Burn out yes, but also working in a series stifles me a little.  So I need to take breaks and do another subjects in between.      

I like to think about how a series might hang when I work on them.  This piece faces to the left and the radish one faces to the right.  Keeping the direction you want the viewers eye to go in makes both pieces hang well together.  Of course they also should hang well when hung separately too, which I believe these do.  Color integration and cohesiveness is also something to keep in mind so they play well with their series siblings.  Even though they are of different colored veggies they have the same greens in common, the same background and surfaces are similar.  All things to keep in mind when working in series besides the obvious subject matter.  Framing in like frames also is a must, I believe. 

Timing for blog entries has been very short lately, due to the rather large Art Exhibit/Fundraiser for World Pediatrics Project I am helping to co-host.  Getting much else done by the way of art completion has taken a back burner these last few months.  But rest assured we are in the 2 week stretch before the event so the end is in sight, and before you know it I'll be back to the blog with more entries.  I thank all of my readers for your patience and returning to my blog to check in.  

Oh, and yes there will be more At The Root paintings, imagination has me thinking of all sorts of new subject, so stay tuned.

Waiting on a colorful spring to arrive and roots to grow flowers,

Gloria 

Tuesday, February 25, 2014

2014 Student Show

From January to February I had my first Students Show at my Crossroads Art Center Exhibit space.  A

There can't be a colored pencil teacher who is any more proud of the work they have accomplished than I.  Some are artists in other mediums, several have played with CP and all are fast becoming wonderful friends and lead heads.                                                                 

Class and Me




Kathy Scott produced her tribute to Modigliani's "Woman with a Black Tie" for our Recreate A Master Class on Ampersand pastelboard.   




                         



Pauline Clay did a sunset scene in our  landscape class on Uart paper as well as this lovely rose on Stonehenge paper.



       
 Rebecca Spangler's "7 Mile Road" a 
landscape oceanfront scene on Uart paper                 
A couple could not attend the reception and were sorely missed.  And I thank all of you who participated in the show.  I'm already thinking up plans for next year's show.  So if you have been putting off taking classes, let me know and we will try to get you into the Spring session which is registering now or for Fall later in the year.

It took me a while to get these photos up and posted due to the charity event we at the Bon Air Artists Assoc. are producing in March.  A Fine Art exhibit with local Richmond area artists raising funds for the World Pediatric Project - March 22 & 23rd.  A 15 month project in which we hope to sell some great art and raise lots of money for WPP.    


Here's to thinking a colorful spring gets here soon,
Gloria Callahan, CPSA                      






Wednesday, January 8, 2014

Last CP Painting for 2013 - At The Root - Radishes

                      At The Root - Radishes  9 X 12" Colored Pencil On Ampersand Pastelboard SOLD

This was my last piece finished in 2013, actually on the 30th at midnight, one day to spare.  I couldn't get to photographing it until today with all the craziness that is my life.   This will be a new series "At The Root"  with my next one's reference shot set up and ready to go.  The photo here is typical of many photo's of art where red is in play.  Reds are notorious for not photographing true to the actual piece.   They seem to photograph brighter/not the deep shade it is, even with Photoshop touch ups.  Either the greens are off, or the background is off, when trying for a match of the reds.  Sense some frustration here............ Well just trust that as usual the in real life piece is richer in all ways.

Anyway, since my last post on making a goal list, my own has grown by leaps and bounds, which is usually the case.  I've been trying to juggle a fundraising event that my local artist association (Bon Air Artists) is putting on to benefit the World Pediatric Project.  As president of the association and one of the chairs of the event, I am neglecting my art creation.  (And have been for some time.)  My total count of CP pieces (we all know it's a slow medium) for 2013 was only 12 finished, with a small 13th  workshop piece almost done.  I hate to have unfinished works lying around even if they are workshop pieces.  But it's small and I should be able to finish it while on the road.

We won't talk about how you learn to say no to volunteering too much, since I clearly haven't learned that lesson yet!  But one of my goals every year is to complete a set number of paintings no matter the size.  This year I missed my mark by 3.5 pieces.  I'm progressing to my 100'th worthy of posting on my website pieces, and should hit that mark this year in 2014, sooner rather than later.  We all know that every piece is not worthy of posting on websites or Facebook for that matter.  Discretion is learned.

Hoping your January is warming up at least in a colorful way is not in temperatures...... On to the next one in the series.

Gloria

Friday, December 27, 2013

Looking Back On 2013


 My space at Crossroads Gallery





I can't help but to look back these last days of the year.  Christmas has passed and I'm tidying up the last to dos before the year ends.  Happily making big check marks on my mental and actual lists.  

Each year I make a list of Goals - Personal and Artist ones (it's a well known fact that I'm a huge list maker, a trait I have passed down to some of my boys and to my granddaughter), my husband jokes that I probably have a master list of lists and I actually do.  But I  digress......

My Personal List always has the proverbial : Loose 10 pounds+, Get more active,  ( somehow these are tied together and involve another item, find more time to do this), and tell more people I appreciate them in my life, live a more present day.........and so on....... You get the drift.
Crossroads Galley Space

But my Artist List usually has more concrete and productive Goals.  And I think even if you are not a regular member of the Make A List Club, your art can benefit by doing so.  Like making my grocery list, it's the very simple act of writing it down that files it into my brain, and makes me think about where I want the new year to take my art.  If your like me with busy days and stuff to do unless I sit down to ponder these things I don't feel in tune with where I'm going in my art.   Yes, there are professional artist goals like:  get my website redesign finished, apply to more shows, and redo my exhibit space at Crossroads Gallery.........

Then there are the deeper listed items that even the hobbyist artist can think on:  Developing better depth perception in my landscapes, continuing to refine my skills in lost and found edges,  growing my small band of plein air sketchers and journaling friends. 
 
There are many people reflecting on the year as it was and I hope just as many looking forward to the new.  As I think about what I want to do to spread the colored pencil paintings word and how I can help my students accomplish their goals I'm thankful for the small band of my blog readers.  I hope my blog entries have helped some of you or spurred on a curiosity for the media.  Let me know if it has, make a comment and tell me how I can help more or just share this with someone you think may enjoy it.  

And if your reading me for the first time, let me know how you found me.   I promise my entries are usually more full of pictures and how I did my latest painting than lists.      


Now to finish the last 2013 painting in my drawing desk.


Oh and instead of a New Years resolution (which I would un-doutably would break by the 5th of January I'm making a 2014 Mantra and it is: Accomplish Your Best   

What would yours be?
Gloria Callahan

Friday, December 20, 2013

Colored Pencil On Travertine Marble - Great new surfaces

                                        Celtic Greenman on Travertine Marble 10 X 10 Tile

This is a post that's been waiting to be written on a piece I accomplished at this years CPSA Convention in Brea, CA this summer.  Elliott Everson conducted this workshop, as a signature member of the CPSA, his work is very appropriate for this surface.  His website is here: www.elliotteverson.com/  Take a look at his work and subject matter, it really goes well onto the stone tile he works on and his location.  But since I'm not a fan of snakes, reptiles, and such, I choose to work from a reference of mine that reflected one of my passions.  Green men faces, I have them all around my yard and home, on a wall of my front porch and elsewhere in my garden.  I just love them.  This mythical figure the Green man symbolizes the life that is found in the natural plant world and on earth itself, and has many interesting stories and fables surrounding it.  Being a gardener I can't help to love the simple idea of the green man protecting my garden.  Their faces are as varied as the human faces in our lives.  

I had created this Celtic Greenman originally on a used violin for a fundraiser for the Richmond Symphony several years ago, called "String Art" (see below).  I primed with colorfix pastel primer on the front face of the badly beat up instrument and then applied my color pencil on top.  It was auctioned to raise funds for the symphony so I never had a chance to enjoy it at my home and secretly wanted one of my own.  
  
So it was this image of a stone carving from the Bamburg Cathedral I chose to use as my workshop adventure with travertine marble.  I highly recommend Everett's teaching method on stone, if you ever get to take a workshop from him.  And being an ole decorative painter working on new surfaces intrigues me.  

Working on unsealed, tumbled marble tile was an adventure indeed.  My normal method of working in 20-25 layers on paper or pastelboard wouldn't work here.  Yes, the roughness chews up your pencil a little, so that's similar to pastelboard or sanded paper.  But after a few 3-4 layers of wax based pencil (Prismacolors) you find the pencil sliding on the stone.  Now that would have bothered me but I had just finished working on double frosted mylar for my Jamestown Sea Captain. (See my Aug. entry titled:  Gloria J Callahan, CPSA - Colored Pencil Paintings: Jamestown Sea Captain and my busy summer.   Mylar or Acetate does not take many layers of wax based pencil either.  The one difference is that with the travertine marble can be spray with workable fixative to get a few more layers down. Which worked beautifully on the Celtic Greenman.  

Working with the rough surface was fun to incorporate the dips and crevices into the subject.  This gave me a whole new idea for a series of stone pieces to create.  More to come....... so watch for new work.  Oh, one more thing, you finish and protect your work by spraying with fixative then several light coats of acrylic sealant or varnish.  This of course would not allow you to use the tile for a trivet with hot surfaces as the varnish would be damaged and thus your work.  I'm happy to display it on a counter easel for the art work it is.  And now I have one for my very own.  
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